| Title | Presenter(s) | Location/Room Capacity | |
| Workshops | |||
| 8:30AM – 9:30AM | Faith and Art: A Creative Exploration | Michael Bauer | Boylston, 1st Floor/160 |
| Do Negro Spirituals Have a Place in My Church? | Genithia L. Hogges | St. Botolph, 2nd Floor/150 | |
| Side Dishes for the “Hymn and Sermon” Sandwich | Paul Schnell Rebecca Schnell |
Clarendon/Berkeley, 3rd Floor/160 | |
| Stretching the Skills of Church Choirs | Michael Kemp | Fairfield/Exeter, 3rd Floor/160 | |
| Richard Purvis Centennial: Character, Compositions, Contributions, and Controversies | James Welch | Arlington, 3rd Floor/140 | |
| POEs Growing and Changing | Andrew Peters Nicole Marane |
Suffolk, 3rd Floor/120 | |
| Accompanying the Divine: Dramatic Improvisation in Liturgy and Silent Film | Peter Krasinski | Wellesley, 3rd Floor/120 | |
| Glorious Praise: Praise Music Grows Up in the Digital Age | Cheryl Duerr The Attleboro Covenant Praise Team |
A & B Salon, 4th Floor/170 | |
| The Rise and Fall of E. M. Skinner | Jonathan Ambrosino | C & D Salon, 4th Floor/170 | |
| AGO Regional Convention Coordinators | Mark Babcock | Brandies, 3rd Floor/44 | |
| Choral Reading | Selah Publishing Company | Gloucester, 3rd Floor/300 | |
| Jazz Influenced Service Music of Joe Utterback | Joe Utterback Andrew Shenton |
Trinity Church in the City of Boston | |
| Scholarly Papers | |||
| 8:30AM – 9:25AM | The Hymns of Charles Albert Tindley and Roberta Martin
The Road Less Taken: Charles Winfred Douglas and the Episcopal Chant Revival |
Victor V. Bobetsky
Gregg Redner |
Simmons, 3rd Floor/120 |
| The Organ Chorale Preludes of Ethel Smyth
Suite No. 1 for Organ by Florence Price – a Fusion of Many Elements |
Sarah M. Moon
Mary Ann Hamilton |
Provincetown, 4th Floor/120 | |
| Rethinking Dupré
The Feminine Aesthetic in the Organ Compositions of Rolande Falcinelli |
Thomas Chase
Lenore Alford |
Vineyard, 4th Floor/70 | |
| Sound Theology: The Organ at the Time of the Reformation | Randall Engle
Don Cook |
Regis, 3rd Floor/70 | |
| Workshops | |||
| 9:45 AM – 10:45AM | The Complete Organ Music of Nicholas de Grigny | James David Christie Wayne Leupold |
Boylston, 1st Floor/160 |
| Voluntaries Rediscovered | Andrew Scanlon | Tremont, 1st Floor/ 160 | |
| Relaxing and Maintaining Calm in the Midst of Stress | David Christopher Bellville | St. Botolph, 2nd Floor/150 | |
| Engaging the 21st Century with the Oldest Organ Music | Kimberly Marshall | Clarendon/Berkeley, 3rd Floor/160 | |
| Generously sponsored by the Central Arizona AGO Chapter | |||
| Beginning a Children’s Choir in Your Church or Community | Tamara Rozek | Fairfield/Exeter, 3rd Floor/160 | |
| Alexander Guilmant Aspects of Life and Work | Hans U. Hielscher | Arlington, 3rd Floor/140 | |
| Conversations and Legacies: Exploring American Organ Pedagogy Through Oral History | Ann Marie Rigler | Suffolk, 3rd Floor/120 | |
| Sure-Fire Practice Techniques! | Faythe Freese | Wellesley, 3rd Floor/120 | |
| Kotzschmar 4 Kids: A Collaborative Curriculum for Organists and Schools | Ray Cornils | A & B Salon, 4th Floor/170 | |
| Panel American Composers: Searle Wright Larry King Clarence Mader |
Moderator: Peter Krasinski Andrew Kotylo James Simms Cherry Rhodes Jacob Benda |
C & D Salon, 4th Floor/170 | |
| Choral Reading | Hinshaw Music | Gloucester, 3rd Floor/300 | |
| Gospel Choir | Mark Miller | Brandeis, 3rd Floor/44 | |
| Master class on Louis Vierne’s Symphony No. 3 in F-sharp minor, Op. 28 | Renée Anne Louprette | Trinity Church in the City of Boston | |
| Scholarly Papers | |||
| 9:45AM – 10:40AM | A New Evaluation of Wie schön leuchtet der Morgenstern, BVW 739
Peter Pelham and Charles Pachelbel: New England’s Immigrant Organists |
Tom Mueller
Joseph Butler |
Simmons, 3rd Floor/120 |
| Discovering the Dramatic Essence of Liszt’s Prelude and Fugue on B.A.C.H.
Mozart’s Fantasie, K.608 and its Performance: Beyond the Spieluhr |
Lars Gjerde
Jane Schatkin Hettrick |
Provincetown, 4th Floor/120 | |
| Early Music in the Modern Church: What Can We Do? | Elizabeth Clark
René Schmidt |
Vineyard, 4th Floor/70 | |
| The Chant – Based Organ Works of Flor Peeters | Linda S. Patterson
Armand J. DiScenna |
Regis, 3rd Floor/70 | |
Click here to view Thursday’s schedule of Workshops and Scholarly Research Papers
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