| Title | Presenter(s) | Location/Room Capacity | |
| Workshops | |||
| 8:30AM – 9:30AM | Know Your Instrument – A Little Better | David E. Wallace | Boylston, 1st Floor/160 |
| Flor Peeters & the American Organist | Linda Patterson | Tremont, 1st Floor/ 160 | |
| Organ Articulation Workshop Part I: Freeform vs. Structured Articulation | Frederick Hohman | St. Botolph, 2nd Floor/150 | |
| Introduction to Jewish Music and Chant | Daniel Rosensweig | Clarendon/Berkeley, 3rd Floor/160 | |
| “When You Know the Notes to Sing”: Teaching Music-Reading Skills to the Amateur Church Choir | Scott Perkins | Fairfield/Exeter, 3rd Floor/160 | |
| Generously sponsored by the New Haven AGO Chapter | |||
| A Golden Age: The Music of the Boston Classicists | Harold Stover | Arlington, 3rd Floor/140 | |
| Learning Techniques for a Lifetime of Music Making | Christopher Cook | Suffolk, 3rd Floor/120 | |
| Teaching Treble Bell Techniques | Norah Piehl | Wellesley, 3rd Floor/120 | |
| Hymn Playing 101 & 102: Learn the Basics and More! | Faythe Freese | A & B Salon, 4th Floor/170 | |
| Harpsichord Boot Camp for Organists | Margaret Irwin Brandon | C & D Salon, 4th Floor/170 | |
| Choral Reading | C.F. Peters | Gloucester, 3rd Floor/300 | |
| ONLINE and ONCARD: Technologies at the Horizon of the AGO’s Digital Frontier | Bill Valentine Mary Stutz |
Regis, 3rd Floor/70 | |
| 9:00AM – 12:00PM | Hook & Hastings Workshop | George Bozeman Fritz Noack Leo Abbott Scot Huntington Robert Newton Barbara Owen |
Cathedral of the Holy Cross |
| Scholarly Papers | |||
| 8:30AM – 9:25AM | Bach the TeacherBach’s Organ World | Quentin Faulkner | Simmons, 3rd Floor/120 |
| Fashioned in the Sound of our Peculiar God: Queer Theology and its Implications for Music and Liturgical Musical Practice | Sean R. Glenn | Vineyard, 4th Floor/70 | |
| Gregorian Chant in the Diocese of Turku in the 16th and 17th Centuries | Jorma Hannikainen | Provincetown, 4th Floor/120 | |
| Workshops | |||
| 9:45AM – 10:45AM | The Kotzschmar Organ: The Road to the Centennial Renovation | John Bishop | Boylston, 1st Floor/160 |
| An Overview of Russian Organ Music | Katya Gotsdiner-McMahan | Tremont, 1st Floor/ 160 | |
| Organ Articulation Workshop Part II: Grammatical Articulation: Making Bach Dance! | Frederick Hohman | St. Botolph, 2nd Floor/150 | |
| Pipe Organ Projects for Youngsters (POPs for KIDs and others) | Carrol Hassman | Clarendon/Berkeley, 3rd Floor/160 | |
| Generously sponsored-in-part by the Wichita AGO Chapter | |||
| Music of Integrity for Small Choirs | Andrew Scanlon | Fairfield/Exeter, 3rd Floor/160 | |
| Passages: Tools for Finding Your Way Through Conflicts | Tamara Makdad Albrecht |
Arlington, 3rd Floor/140 | |
| Repertoire by American Composers for the Beginning Organist | David Heller | Suffolk, 3rd Floor/120 | |
| Empowering Directors to Work with New Ringers | Norah Piehl Back Bay Ringers |
Wellesley, 3rd Floor/120 | |
| The New Editions of Bach’s Complete Organ Works | David Schulenberg George Stauffer |
A & B Salon, 4th Floor/170 | |
| The Clavichord: The Organ Teacher You Wish You Had | Henry Lebedinsky Christa Rakich |
C & D Salon, 4th Floor/170 | |
| Generously sponsored by the Greater Hartford AGO Chapter | |||
| Choral Reading | E. C. Schirmer Music | Gloucester, 3rd Floor/300 | |
| The Liturgical Organist: Strategies for Supportive and Creative Service Playing | Bruce Neswick | Trinity Church in the City of Boston | |
| 10:00AM – 11:30AM | Youth Day/James Woodman Commission | James Woodman | Our Lady of Victories Church |
| Scholarly Papers | |||
| 9:45AM – 10:40AM | Pescado, Paella, Piripiri: Contrasts of Taste in 17th Century Iberia
Recovering the Spirit of Adaptation: Lessons from the Iberian Renaissance |
André D. Lash Chad Fothergill |
Simmons, 3rd Floor/120 |
| Ancient Materials, Modern Techniques: New Compositional Trends in Inter-War France |
Ruth Draper Margaret Harper |
Provincetown, 4th Floor/120 | |
| Extemporaneous Sublime: Indeterminacy and Transience of the Improvised Moment |
Zvonimir Nagy Christoph Schlütter |
Vineyard, 4th Floor/70 | |
| Bach’s Leipzig Chorales: New Thoughts on Their Development and Function |
Daniel Aune William Tortolano |
Regis, 3rd Floor/70 | |
| Workshops | |||
| 11:00AM – 12:00PM | Panel: Open Clinic: Come Ask Your Questions | Didier Grassin | Boylston, 1st Floor/160 |
| Presented by APOBA | |||
| The Professional Organist as Successful Communicator | David Christopher Bellville | Tremont, 1st Floor/ 160 | |
| Young Organists Panel | Richard Bunbury, Moderator Chelsea Chen Monica Czausz Ray Negam Phillip Truckenbrod |
St. Botolph, 2nd Floor/150 | |
| Gregorian Chant for Children’s Choirs | Michael Olbash | Fairfield/Exeter, 3rd Floor/160 | |
| The Organ Music of Ned Rorem | Charles Boyd Tompkins | Arlington, 3rd Floor/140 | |
| Boston: The Community Hymn Sing Festival is Alive and Well and Coming to Your Town | John Sullivan Terrie Harman |
Suffolk, 3rd Floor/120 | |
| Panel of New Music Commissions Composers | Libby Larsen | Wellesley, 3rd Floor/120 | |
| “Extra” Ornamentation in Baroque Organ Music, Especially Bach | Peter Sykes | A & B Salon, 4th Floor/170 | |
| Resounding Beauty: The Organ Music of Arvo Pärt | Andrew Shenton | C & D Salon, 4th Floor/170 | |
| Choral Reading | Paraclete Press
Dr. Robert Lau, Clinician |
Gloucester, 3rd Floor/300 | |
| Master Class in Organ | Craig Cramer | Trinity Church in the City of Boston | |
| Scholarly Papers | |||
| 11:00AM – 11:55am | An Introduction to Early Spanish Organ Music | Robert Parkins Adam Rahbee |
Simmons, 3rd Floor/120 |
| The Acoustician’s Dilemma: Finding the Right Balance of Sight & Sound | Dan Clayton | Provincetown, 4th Floor/120 | |
| Who Framed Bach’s Toccata? A Study in the Sublime | Jonathan B. Hall
|
Vineyard, 4th Floor/70 | |
| Wilhelm Middelshulte, His Life and Works (Part 1) | Brink Bush | Regis, 3rd Floor/70 | |
Click here to view Friday’s schedule of Workshops and Scholarly Research Papers
Click here to return to Wednesday’s schedule of Workshops and Scholarly Research Papers